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I've made my first novel, Ventus, available as a free download, as well as excerpts from two of the Virga books. I am looking forward to putting up a number of short stories in the near future.
To celebrate the August, 2007 publication of Queen of Candesce, I decided to re-release my first novel as an eBook. You can download it from this page. Ventus was first published by Tor Books in 2000, and and you can still buy it; to everyone who would just like to sample my work, I hope you enjoy this version.
I've released this book under a Creative Commons license, which means you can read it and distribute it freely, but not make derivative works or sell it.
I've made large tracts of these two Virga books available. If you want to find out what the Virga universe is all about, you can check it out here:
In spring 2005, the Directorate of Land Strategic Concepts of National Defense Canada (that is to say, the army) hired me to write a dramatized future military scenario. The book-length work, Crisis in Zefra, was set in a mythical African city-state, about 20 years in the future, and concerned a group of Canadian peacekeepers who are trying to ready the city for its first democratic vote while fighting an insurgency. The project ran to 27,000 words and was published by the army as a bound paperback book.
If you'd like to read Crisis in Zefra, you can download it in PDF form.
The intersection of installation art and fiction
On Saturday, May 3 and Sunday May 4, 2014, I will be hosting a workshop called Feedback Loops, on the mutual influence of art and speculative fiction, at the Power Plant Contemporary Art Gallery here in Toronto. Using the works on view as starting points for narrative development, participants will learn the mechanics of writing and refining a speculative short story, resulting in an original piece of fiction that may be published in the gallery's online journal Switch On.
The workshop is being co-hosted by the Power Plant, the International Festival of Authors, and the Humber School for Writers. If you're interested in attending, please contact the Harbourfront Centre Box Office at 416-973-4000.
It's a busy one, though I'll only be there for Saturday and Sunday
Keeping in the spirit of dumping all kinds of news at once, here's my schedule for the 2013 World Science Fiction Convention in San Antonio, Texas, which is taking place over the Labour Day weekend. It's a whirlwind visit as I need to get back to Toronto to continue futuring for my new employer, Idea Couture. Luckily, I've got lots going on. If I'm lucky, I'll even get there early enough Friday night to take over the bathtub bar at the Tor party. We'll see. Meanwhile, here's my itinerary:
Saturday 10:00 - 11:00
Karl Schroeder
Saturday 12:00 - 13:00
Ellen Datlow , Lynne M. Thomas , Josh Rountree , Karl Schroeder
Saturday 15:00 - 16:00
Google Glasses, augmented reality, kinetic gaming, tactile transmission systems. These and other new technologies are on the horizon to transmogrify sense and sensation. Google glasses are the first step to putting an overlay on the reality we see. This opens the door to hiding the ugly and changing what we see. When we do this socially it leads to possible consensual reality as in the works of Vinge, Schroeder and others. What will such capability mean in reality? Has science fiction explored the societal consequences?
Edie Stern (M), Yasser Bahjatt , Walter Jon Williams , Ben Bova , Karl Schroeder
Saturday 17:00 - 18:00
Edward M. Lerner , Nancy Kress , Karl Schroeder
Sunday 10:00 - 13:00
We will do a quick analysis of the future, with the end product being four scenarios that highlight different possibilities. Come take your work to the future!
Karl Schroeder
Sunday 14:00 - 15:00
Where science fiction once looked to the future as the setting for speculation, nowadays the focus seems to be on alternate pasts, fantasy worlds, or consciously "retro" futures. We're no longer showing the way to what things might be like. We discuss whether this is connected to the general fear of decline and decay in the English-language world -- or has science fiction simply run out of ideas?
Karen Burnham (M), Brenda Cooper , Karl Schroeder , Willie Siros , Derek Kunsken
Sunday 15:00 - 16:00
Exposition is never easy. How can writers communicate the details of a setting, magical system or incredible scientific breakthrough without losing half their audience? What makes a readers eyes glaze over and how do you avoid it?
Michelle Sagara (M) , Tanya Huff , Karl Schroeder , Jack McDevitt , Walter Jon Williams
Sunday 17:00 - 18:00
How do we establish a common conceptual base to communicate with another species? Sure, we have numbers and the hydrogen atom in common, but how far would that get us in a world of beings who share none of our sensory apparatus?
Lawrence M. Schoen (M) , Paige E. Ewing , Karl Schroeder
By the way, if you want to plan your days, the entire schedule is or will shortly be online at http://www.lonestarcon3.org/guests/appearing.shtml.
That's it. See you all there!
Short answer: no. I'll be writer in residence until the end of May
Due to the last-minute dogpile of publicity about my writer in residence tenure, it may look as though you'll have to scramble to participate. After all, the program starts in just a few days.
Not to worry. I'll be accepting manuscripts for critique and discussion for the next several months. Obviously, if you hand me something on the last day of my appointment, I may not be able to give you the time you deserve, so the sooner the better. But don't panic if you're not ready this week.
I'll continue to post information and links about how to join the program, and I'll also be blogging about it all over at the TPL website (link and more details forthcoming).
Now, the workshops are a little more time-constrained. The sooner you tell TPL if you want to attend those, the easier our organization of the events will be. But I'm not expecting to have gone through a reading/critiquing cycle with you before the workshops. We may not get to meet at all before they happen, but they're different from the one-on-one meetings, so that's fine.
Does this all make sense? If you've got any questions, don't hesitate to contact the library, or me at karl(at)kschroeder.com
I'm a member of the Association of Professional Futurists with my own consultancy, and am also currently Chair of the Canadian node of the Millennium Project, a private/public foresight consultancy active in 50 nations. As well, I am an award-winning author with ten published novels translated into as many languages. I write, give talks, and conduct workshops on numerous topics related to the future, including:
For a complete bio, go here. To contact me, email karl at kschroeder dot com
I use Science Fiction to communicate the results of actual futures studies. Some of my recent research relates to how we'll govern ourselves in the future. I've worked with a few clients on this and published some results.
Here are two examples--and you can read the first for free:
The Canadian army commissioned me to write Crisis in Urlia, a fictionalized study of the future of military command-and-control. You can download a PDF of the book here:
For the "optimistic Science Fiction" anthology Hieroglyph, I wrote "Degrees of Freedom," set in Haida Gwaii. "Degrees of Freedom" is about an attempt to develop new governing systems by Canadian First Nations people.
I'm continuing to research this exciting area and would be happy to share my findings.
"Science fiction at its best."
--Kim Stanley Robinson
"Lean and hugely engaging ... and highly recommended."
--Open Letters Monthly, an Arts and Literature Review
(Sun of Suns and Queen of Candesce are combined in Cities of the Air)
βAn adventure-filled tale of sword
fights and naval battles... the real fun of this coming-of-age tale includes a
pirate treasure hunt and grand scale naval invasions set in the cold, far
reaches of space. β
βKirkus Reviews (listed in top 10 SF novels for 2006)
"With Queen of Candesce, [Schroeder] has achieved a clockwork balance of deftly paced adventure and humour, set against an intriguing and unique vision of humanity's far future.
--The Globe and Mail
"[Pirate Sun] is fun in the same league as the best SF ever has had to offer, fully as exciting and full of cool science as work from the golden age of SF, but with characterization and plot layering equal to the scrutiny of critical appraisers."
--SFRevu.com
"...A rollicking good read... fun, bookish, and full of insane air battles"
--io9.com
"A grand flying-pirate-ship-chases-and-escapes-and-meetings-with-monsters adventure, and it ends not with a debate or a seminar but with a gigantic zero-gee battle around Candesce, a climactic unmasking and showdown, just desserts, and other satisfying stuff."
--Locus